Chronicles of Ghadid Trilogy, Draft Zero, The Unconquered City (Book 3), Writing

Spring-inning

The forecast predicts we’re gonna get 40s from here on until March, the trees are budding, the bulbs are bulbening, and the river has claimed most of the nearby park and golf course – which means we can officially call it. Winter is fading. It’s Spring-inning.

I can’t lie. I’m going to miss the snow and the painfully cold 10 degree days. But time keeps churning and soon we’ll be eyeballs-deep in bugs and humidity, so it’s best to enjoy each day as it comes.

That’s my mantra in general lately. 2019 stills seems painfully far off, but I will only get to live through the pre-pub debut process once, so I’m gonna enjoy it. So far it’s been pretty calm and chill, with just the occasional inkling of the excitement (and terror!) that is to come and the occasional context-free flailing. I appreciate the slower-than-usual ramp up, because I’ve been able to stick my toe in and begin mentally (and physically) preparing for the Actual Thing because wow, if the last month has been any indication with its softballs, I am Not Prepared.

Wow, how is that for vaguebooking/subtweeting/whatever it is the kids are calling it these days?

 

Here’s current progress on Book Three, working title The Unconquered City, the story of an assassin turned monster hunter who’s really sick of people threatening her city. Now with more! rioting, Shocking Revelations (TM), and one-on-one rooftop “lessons.”

Project: Book Three, Draft 0.5

Deadline: August

Current word count: 17,723 out of 80,000

Knives thrown: 7

Double-entendres made: 3

Times that I have made myself blush: 11

The Unconquered City (Book 3), Writing

Book 3, Draft 0.5

I started Book Three back in July and got a sizeable chunk done (50k words! woo!), but then edits for 1 & 2 intervened and months passed and now here I am again. Staring into the abyss.

I’ve spent the last two weeks grappling with this book, the plot I have, the words I’ve written. I started and stopped and started again where I’d left off. But I finally realized I needed to just go ahead and start from the very beginning (it’s a very good place to start [now it’s stuck in your head too {you’re welcome}]).

Since I didn’t even reach a Rocks Fall Everyone Dies ending with that draft, I don’t officially get to move on to draft one. But it’s not really a draft zero, since I’ve got a pretty solid handle on what’s gonna happen. So let’s compromise and call it Draft 0.5. Still nowhere close to the finished product, but also not flailing alone in the dark with a blindfold and a basket of chips.

You know the drill by now. I’ll report back here once a week (or month) with progress updates as a way to shame myself into maintaining said progress. ‘Cause I’ve got a deadline to make and a story to wrap up and a whole lot of teeth to gnash. My teeth? Maybe yours. Whose teeth are these anyway? Why am I holding teeth??

 

Here’s current progress on Book Three, working title The Unconquered City, the story of an assassin turned monster hunter who’s gonna keep her city safe no matter the cost. Now with more! monster fights, healing magic, and tragic backstory.

Project: Book Three, Draft 0.5

Deadline: August

Current word count: 1,974 out of 80,000

Body count: 0

Monster count: Baker’s dozen

Sand?: Everywhere.

The Unconquered City (Book 3)

Giving Up Twitter for Lent

I have had a love-hate relationship with Twitter right from the start. Its ephemeral and impermanent nature is both a draw (no obligation to understand context or scroll back for days!) and a drawback (everything exists in the void!). I initially joined to assist in my search for agents, and then I stayed because of the thriving writing community.

But while Twitter’s writing community is a good place to start, and very useful (it’s how I found out about Sirens and ConFusion and where I find all my agent sibs), it’s certainly not everything. It’s like the enticing display in the shop window – all cupcakes and glitter, but with very little substance. And as delicious as they may be, one cannot exist on cupcakes and glitter alone.

Alas, my personality is such that if the cupcakes and glitter are right there, then I will attempt to subsist on them anyway despite all of my knowledge and experience to the contrary. I am not very good at moderation.

So I’m going to give Twitter up entirely. Well, at least for the next 46 days. Aka, for Lent*.

It’s not like I’ll be bored. I have the draft zero for Book Three to complete by April and I’d been planning/hoping/dreaming to also get the synopsis written by then, too. This will give me a chance to focus and see if Twitter really has been sapping my creative energy as much as it has been sapping my time.

I also intend to recommit to blogging/reading blogs. I grew up on LiveJournal (gasp!) and enjoyed the community born and grown there, fueled by longer posts about everyday minutiae. I migrated to WordPress over the years and have likewise enjoyed the community here. There is far less glitter, but a considerable amount of honest sandwiches. I miss the longer form, the context, the gritties. Twitter has allowed for longer tweets, but it’s still a forum for Public Displays of Being Clever.

This is not intended as a screed or rant against Twitter. It has its uses and I fully intend to return to all the glitter and cupcakes. But in the meantime, I need to step back, breathe, reconsider, and refocus.

Hopefully, that means I’ll get to see more of you guys here. ❤

* I’m not Catholic, but the idea of occasionally giving something up that you feel you can’t live without is a good exercise, IMNSHO.

Chronicles of Ghadid Trilogy, Writing, Writing Tips

How (Not) to Write a Novella

First, write a book. Then, realize there’s a perfect part of said book that could be expanded into a short story.

Sketch out a short outline. Think: this will be easy. Feel: this will be hard.

Finish revising your book. Come back to the short story idea. Realize you kinda maybe need to write it because what happens in it will largely inform your next book. Check your schedule. Find some time to commit wholeheartedly. Two weeks should be enough. It’s only a short story, right?

After one week, google: how long is a short story supposed to be anyway?

After two weeks, google: how long is too long for a short story?

After three weeks, google: how long is a novella?

After four weeks, google: why is everything I touch a novel?

Set it aside unfinished because you have other projects with Actual Deadlines. Hit those deadlines. Celebrate.

Gradually become aware of a general sense of unease. Realize the short story is watching. Waiting.

Metaphorically (and literally, because you don’t want flu do you?) wash your hands. Return to the short story. Accept that the short story is not really a short story by any stretch of the imagination.

Pretend you were writing a novella all along.

Rewrite the not-so-short story from scratch. Despair when it keeps growing longer.

Rewrite the novella with an eye toward trimming some of that verdant verbiage. Growl in frustration when it somehow gains words.

Rewrite again. Keep it within the realm of believability re: word counts and re: novellas.

Finish something that could be called a draft.

Dig a hole in the backyard.

Yes, through the two feet of snow.

Bury the draft. Pat that snow back into place.

Practice saying: I never write novellas. What novella? I was home with my cats at 8.36pm on the 21st of January and you can’t prove a thing. I’ve never seen a novella in my life.

Wait for spring and see what grows.

Chronicles of Ghadid Trilogy, The Impossible Contract (Book 2), The Perfect Assassin (Book 1)

Two out of Three

Between holidays and travel and dayjob and a baby quickly becoming a toddler, I somehow managed to finish the edits on the Impossible Contract aka Book Two. For those keeping score, that means I now have two out of three books done* in this trilogy, and book one isn’t set to be out for, oh, another year.

It’s quickly shaping up that I’ll be finished with Book Three before One’s pub date, as well, which is astounding. I doubt I’ll ever have that sort of luxury again, and I doubt few others have. It’s a strange place to be in; for one, I won’t have to worry about reader reactions messing with plot. But for another, I’ll have completely moved on to a new and entirely different project by then.

Looking back through my blog posts, I realized I never really explained how I got here. Here being: having written the second book first. Here being: still another year to publication, even though I signed the contract over a year ago. Here being: planning on having three books done before the first ever sees the light of day.

I didn’t plan to write the second book first. I set out to write a standalone. And I did. So thoroughly that I’d never intended to write a sequel, let alone several sequels. Which, in retrospect, was a bit silly of me, but I was still reacting to being blindsided by a cliffhanger in a book I’d thought was standalone years back (*tiny fist of rage*). So.

So I intentionally did a Thing in the plot that pretty much negated the possibility of a sequel. And then I got an agent. And then my agent suggested I come up with some sequel ideas.

Cue panic.

Eventually, I did come up with an Idea, but it would only get me through another novel. With some gentle nudging from my agent, I came up with a few prequel ideas as well. Fast-forward to Tor asking for a trilogy and me being severely sleep-deprived from life with a newborn, and I asked – nay, insisted – that I give them a prequel and a sequel.

They thought this was a fine idea. And lo, the Impossible Contract became Book Two and I was on the hook for writing Book One, and yesterday. My potential publication date was pushed from 2018 to 2019, which is reasonable since the book didn’t exist yet.

But despite a bit of teeth gnashing and grumbling impatience on my part, I am so, so glad things fell the way they did. I got to go back and really dig in and understand the world in book one, and doing so only made book two that much stronger. I also got to lay the groundwork for a lot of the things that happen in book two (and eventually book three), which was decidedly satisfying. And it will probably make me look like a wizard, not gonna lie. Plus, future readers will get two** standalone books that nevertheless play off each other and are stronger for it.

Phew.

So if you like book one and Amastan, the historian turned assassin turned detective who is really tired of this shit, you’ll probably like book two and Thana, the overly ambitious assassin who regrets helping the man she’s supposed to kill and is really tired of all these undead camels.

To continue a tradition I started when I turned in Book One the first time, here’re the

Ending Stats for Book Two

Started writing: June 1, 2014
First Query Sent: April, 2015
Heavily-edited “final” manuscript sent: January 15, 2018
Number of rewrites: Two
Number of rounds of revision/edits: Six
Number of edits just to cut words: Three
Original Wordcount: 130,000
Current Wordcount: 104,000
Number of times I’ve hated this book: Twenty-seven
Number of times I’ve loved it: Thirty-six
Number of mug cakes eaten in celebration: 1
Expected pub date: Late autumn 2019

* Technically, book two isn’t done done, but the next round of revisions won’t require a total rewrite nor take three months. Unless I seriously miscalculated somewhere along the line. Which is possible! But doubtful.

** Book Three is technically also a standalone, but boy will it spoil you on the first two. Not even gonna try not to, there.

Chronicles of Ghadid Trilogy, The Perfect Assassin (Book 1)

What a Difference a Year Makes

November 1st last year, I started writing draft zero for Book One of what we’re now calling the Assassins of Ghadid trilogy. I had a character and a scene and a vague idea of where it was all going.

Several rewrites, revisions, and now an editorial letter later, I think I can safely say Book One is done. Of course, we’ve already touched on what “finished” means, so I suppose we should define “done.”

Done, right now, for this book, is a book that has been cleaned up on both the line level and the plot level, is a book that has been tweaked and finessed and had most of its problems excised or otherwise fixed. It’s still not perfect, but the bits and pieces of doubt that hung on after it was “finished” have largely been shed.

Of course, this is just another step in the process. There may (will) be another round of edits. There will (definitely) be a round of line edits. I hope for and expect as much, because I – and my publisher – want this to be as close to 100% as we can make it, without, you know, having to sacrifice our souls and selves.

So in a way, it’s not done done, but on the very long road that is publishing, I thought it significant that almost exactly a year after starting a book that was little more than a scene and a character at the time, it’s now become this: a rewritten and revised and edited and re-edited and tweaked and thoroughly-loved book, about many characters and with many scenes, that even has a plot.

As for when it will be out – assuming there are no Super Major Oh God No edits on the horizon – the current word on the street is March 2019. So we’ve still got some time yet. And I’ve still got two more books to finish.

Chronicles of Ghadid Trilogy, The Impossible Contract (Book 2), Writing, Writing Tips

How to cut 20,000 Words

First – and this is the most important step – write a novel that is 35,000 words too long.

Be told by several people that you really ought to cut some of that. Agonize over every word for a month and manage to cut 15,000 words. Rejoice!

Realize that the novel is still 20,000 words too long. Decide it will be a problem for future you.

Let the novel sit for two years.

Revisit, because finally you really need to trim that beast down. You ask your betas to point out places that should be cut, places where the plot dragged or they got bored. Your editor highlights entire chapters. Realize that those two years actually made it easier for you to see what you can cut. Notice a few patterns:

– You over describe everything.
– You over describe everything.
– You really like to talk about sand.
– You over describe everything.

Begin cutting a word here and there. Then a paragraph. Now, drunk on power, start cutting entire pages. Cackle maniacally. Stay up too late. Drink too much coffee.

Convinced you’ve cut at least 10,000 words, doublecheck your word count.

You’ve only cut 300 words.

Yell into the void that is Twitter. Pour another cup of tea. Start again with a word here, a word there. Repeat.

Repeat.

Repeat.

Congrats! You’ve cut 10,000 words. You still need to trim another 5-10k. You wonder if your editor will notice. You know she will.

Decide it will be a problem for future you.

Chronicles of Ghadid Trilogy, The Perfect Assassin (Book 1), Writing

Ending Stats for Book One

Started writing: November 1, 2016
Manuscript sent: June 27, 2017
Total days: 239
I.E.: 7.9 months
Percentage of days spent writing: 94%
Estimated days spent writing: 224
Average hours/day: 2.4
Average hours of sleep/day: hahahaha
Number of drafts: 4
Word count of draft one (aka draft zero): 56,649
Word count of draft two (aka draft one): 63,686
Word count of draft three (aka beta draft): 84,638
Word count of draft four (aka final draft aka finished MS): 95,069
Number of times I knew I wouldn’t get this done on time: 220
Number of times I knew I would: 4
Number of times it mattered: 0
Number of cupcakes eaten in celebration: 1
Number of days I’m taking off between books: 0

Chronicles of Ghadid Trilogy, The Perfect Assassin (Book 1), Writing

When is it “finished?”

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As of Friday, Book One is done. And yet it’s not really “finished,” per se. It’s sitting quietly on my harddrive, resting and dreaming, before I slog through it for one last read-through, then it’ll be off to my editor who may (or may not) tear it apart and declare it an abomination. Either way, there will be more edits.

Which made me wonder why I felt like I could label it as it is, done. A big part of it is definitely a feeling, a big sigh of relief, a rush of pride. Yet I have been here before with books I’ve written, only to turn around and completely rewrite them 2 months or 2 years down the line.

So what does done mean?

For me, at least now, at least in this moment and for this project, it appears to mean that it’s at a point where I’m comfortable sharing without caveats. When I gave it to my betas at the end of May, I also gave them a ton of caveats. I was as far as I could get on my own at the time, but I also knew there were still problems, could feel them even if I couldn’t quite put my finger on them. So I told them that, told them to expect that it wouldn’t be perfect, and that it definitely had problems, and to please help me find what those problems were.

Now… it still has problems. It will never be perfect. But I feel like I can hand it off without caveats. That it can stand on its own. Within all those words is a complete story with a full character arc and logical consequences and big stakes, and minimal, if any, plot holes.

Again, there might still be things I’ve missed, things I’m blind to. I’m going to read through it one last time and then other, fresher eyes will have a go at it. But for now, Book One is as done as I can make it.

Chronicles of Ghadid Trilogy, The Perfect Assassin (Book 1), Work In Progress, Writing

#amediting – Make it Bleed

The best decision I’ve made so far with this round of edits – aside from, you know, doing them – was to turn on Track Changes. Now whenever I feel like I’m treading water and getting nowhere, all I have to do is flip to “show all markup” and see just how much I’ve done.

Aaah.

Of course, all that red doesn’t say anything about the quality of the edits, but it sure is pretty to look at.

T minus 10 days and counting and I’m finally starting to feel like I’m going to make it, and not just at the last second. 60-ish pages left to edit, 2-ish scenes let to (re)write. I’m starting to get it into my head that I’ll have time for another read through. But let’s not get too cocky – something is bound to happen and eat up all my soft deadline cushioning.

But I’m already starting to plan what I’m gonna do when this is off my desk. Sleep. Read. Buy a chocolate cake. Eat it all. And then start writing the next book. Which I am SUPER excite about, FYI.

In the meantime, I’ve still got 10 days, so here’s current progress on Book One, working title Redacted, the story of a historian turned assassin turned detective who’s more than just a little tired of this shit. Now with more! raucous gambling, mythology tweaking, and polite civic discourse.

Chapters: 25 chapters out of 33 edited

Current word count: 94,090 out of 90,000

Fun Google searches this week: “Does a camel chew cud?”