Category: The Impossible Contract (Book 2)

Chronicles of Ghadid Trilogy, Pre-pub, The Impossible Contract (Book 2), The Perfect Assassin (Book 1)

January Recap (Madcap?)

K.A. Doore

It sure has been a month. I don’t even know how to begin, so let’s just run through it, shall we?

I started a new job. Winter finally showed up. I moderated my first panel and gave my first reading at ConFusion in Detroit. I wrote a bit more of my WIP. The cover for book two entered the world. Book one got two excellent trade reviews. Our laundry machine broke. A Polar Vortex shut down our city –

Wait, wait, WAIT – you say. Book two’s cover?? Went live???

Oh yeah. I guess that’s important.

Okay that’s an understatement. It’s pretty important and I’m REALLY EXCITED about it. If you’ve been following my posts for any length of time, you know Book Two was once Book Only and I poured my heart and soul into it. Then I wrote Book One and poured my heart into that too, but Book Two will just always have that place in my heart as the First.

There’s just something about writing a book for just you, never knowing if it’s going to get an agent’s attention let alone reach the light of day – or the hands of readers. I love all of my book children equally, in their own ways, but The Impossible Contract just feels different. For The Perfect Assassin, covers and blurbs and reviews weren’t daydreams – they were expectations. I had a contract, after all. But for TIC, well. They were dreams.

And when I got to see TIC’s cover for the first time in December, it was literally a dream come true.

And now that it’s live elsewhere on the internet, I can finally share that dream with you:

The purple! The gold! That expression! That garrote! It’s THANA. My Thana, who started out as a lone figure on a rooftop almost five years ago and now has a whole family to rely on. She has come so very far and I can’t wait to talk more about her and share her with you in November.

But BEFORE THAT I have a whole ‘nother book coming out.

And The Perfect Assassin has been getting some awesome reviews.

But Kai, you say gently, You just dropped a cover on us. You can tell us about the reviews later.

I mean, yes technically, I could but in reality, this is probably the only blog post I’m going to make for the next month or two, so you’re getting this now.

Here – if it’s any easier, you can take a break and come back in a week or so and pretend this is a whole new blog post. Good?

Good.

Welcome back!

I’ve already flailed and hyperventilated about this elsewhere, but The Perfect Assassin got a starred (!!!) review from Publisher’s Weekly! You can read the whole thing here, but if you want to avoid some very light potential spoilers, here’s the choice quote:

“Doore is a force to be reckoned with, blending a stirring plot, elegant worldbuilding, effortless style, and diverse, empathetic characters.”

!!!!

!!!!!!

I might have shouted “a force to be RECKONED WITH” every chance I had for a week straight. Honestly, I’m still riding that high.

And then there’s also this amazing review from Booklist. It’s behind a paywall, so if you don’t have access, here’s another good quote:

“Doore’s thrilling fantasy debut is a suspenseful murder mystery wrapped around a coming-of-age story […] Ghadid, set on platforms hundreds of feet above shifting sands, is vividly described, with a fascinating history and culture that Doore folds in naturally. This author is one to watch.”

WATCH ME.

IF YOU DON’T, WHO WILL.

AND IF NO ONE DOES, DO I EVEN EXIST?

Anyway: *flings confetti*

I guess this means I can’t pretend I’ve just been bribing/threatening everyone for good reviews. Or maybe it does and these are two flukes that will never happen again! Who knows! I sure don’t! You might find out in just 48 days!

 

Photo by Georgia de Lotz on Unsplash

Querying, The Impossible Contract (Book 2), Writing

Hey What About Your Query, Kai?

K.A. Doore

A picture of a cat, not a query letter.

As some of you already know, I’ve joined this year’s Pitch Wars mentor crew. For those unfamiliar with Pitch Wars, this means that one (not-so-)lucky writer will get the chance to have their manuscript beaten (literally and figuratively) into shape by me. But to get to that point they – you, possibly – will have to first write a query.

If there’s one thing all authors/writers/agents/human beings can unilaterally agree on, it’s that queries were devised to torture storytellers. You spent what feels like a million words (by that 24th revision it’s probably been more) carefully building a story and now someone wants you to do it again in – *gasp* – 250-300 words. Mon dieu!

Thankfully that’s not really what a query’s meant to do. All it’s gotta do is entice. And to do that, you just gotta distill your plot down to a few lines, pick out some awesome details, snag the voice, do the Macarena, assemble the Avengers –

Wait. No.

They say a picture’s worth a thousand words, but I’m sure an example is worth just as many. So, here – have one successful query letter that just happens to be mine. It’s been a few years (*cough3cough*) and if I could I’d change a few things, but I’m going to resist and let you see the exact query that led to pages being requested that led to a full that led to a call that led to an offer and so on.

[Side note: This query was for The Impossible Contract, which is now Book Two (and if you want to know that story, go here). I don’t think there’re any spoilers for The Perfect Assassin (aka Book One) in here, but you have been warned if you care about those things.]

Dear Agent –

THE IMPOSSIBLE CONTRACT is a fast-paced adventure fantasy complete at 128,000 words. I’m sending this query to you in particular because I noticed you expressed an interest in LGBTQ stories in any genre and this novel includes a lesbian romance.

In the desert city of Ghadid, assassination is a family business. To learn the trade, Thana trained with her older cousins for years, but she’s still nervous when it’s her turn to take a contract. But it’s not just the responsibility: it turns out that her mark is the Empress’ own marabi, a highly skilled and powerful priest. Any qualms Thana might have had about killing a holy man, though, are soon put to rest when she learns the mark is involved in the blasphemous practice of binding souls.

The contract should have been straightforward: steal into the mark’s room, circumvent his magical protections, and slit his throat. Except that someone else wants the marabi dead. Before Thana can deliver the killing blow, a half dozen men break into the room and attack them both. Even outnumbered, the men should have been no match for fast and lethal Thana, but they have a key advantage against her knives and garrote: they’re already dead and someone – another blasphemer – has bound their souls. Thana barely escapes with her own life, let alone the mark’s.

The mark is determined to discover what these men are and who sent them. Thana is determined to follow the mark and finish her contract, even if that means leaving home to cross the desert. If she fails, not only will her family be shamed, but Thana’s life will be up for contract. But along her journey, Thana learns of the ancient evil behind the dead men and bound souls and realizes that the price of her success may be the destruction of all she holds dear.

Aside from writing, I also practice photography and weightlifting while living in the Sonoran Desert. I have the writer’s prerequisite small but significant cat collection and caffeine addiction, as well as a number of chickens, a degree in Classics, and way too many (never too many) knee socks.

Thank you for your time and consideration.

 

Here’s a few things to note:

First off, you’ll notice I front-loaded the query with the title and wordcount and a little personalized intro for that specific agent. Typically, you’ll want to go straight into the query proper, but if you have a reason you’re sending this to a specific agent, it can help to put that up front.

In this case, my query doesn’t have room for the romance in it, but since I knew the agent was specifically looking for queer fic, I pointed that out as part of the personalization.

Second… this is a little long for a query. Related, that wordcount is about 30k too long. I got dinged a lot for that, by the way (multiple agents specifically cited the wordcount in their rejections), and part of signing with my agent meant cutting as much as I could – and then cutting more once I signed with Tor. So take it from me, you really want to stay within the acceptable word count ranges for your genre (this has a good rule of thumb btw).

On the positive side, it still worked. So.

Third, I know a lot of writers worry about not having any pub credits to their name to rattle off in the bio section. You’ll notice I, too, had no prior publications nor anything really of note, so instead I used that space to add a little more of my own personality.

But wait, there’s more! Don’t just take my word for it – you can read a breakdown by another agent over at the Weekly Workshop as to why, exactly, my query worked for her.

I’d also recommend taking a deep dive into the Query Shark archives as well as reading all the queries the other mentors have put up in the last few days.

So there you have it. Just be short and honest and bleed a little on your keyboard and you’ll do just fine.

Chronicles of Ghadid Trilogy, The Impossible Contract (Book 2), The Perfect Assassin (Book 1)

Two out of Three

K.A. Doore

Between holidays and travel and dayjob and a baby quickly becoming a toddler, I somehow managed to finish the edits on the Impossible Contract aka Book Two. For those keeping score, that means I now have two out of three books done* in this trilogy, and book one isn’t set to be out for, oh, another year.

It’s quickly shaping up that I’ll be finished with Book Three before One’s pub date, as well, which is astounding. I doubt I’ll ever have that sort of luxury again, and I doubt few others have. It’s a strange place to be in; for one, I won’t have to worry about reader reactions messing with plot. But for another, I’ll have completely moved on to a new and entirely different project by then.

Looking back through my blog posts, I realized I never really explained how I got here. Here being: having written the second book first. Here being: still another year to publication, even though I signed the contract over a year ago. Here being: planning on having three books done before the first ever sees the light of day.

I didn’t plan to write the second book first. I set out to write a standalone. And I did. So thoroughly that I’d never intended to write a sequel, let alone several sequels. Which, in retrospect, was a bit silly of me, but I was still reacting to being blindsided by a cliffhanger in a book I’d thought was standalone years back (*tiny fist of rage*). So.

So I intentionally did a Thing in the plot that pretty much negated the possibility of a sequel. And then I got an agent. And then my agent suggested I come up with some sequel ideas.

Cue panic.

Eventually, I did come up with an Idea, but it would only get me through another novel. With some gentle nudging from my agent, I came up with a few prequel ideas as well. Fast-forward to Tor asking for a trilogy and me being severely sleep-deprived from life with a newborn, and I asked – nay, insisted – that I give them a prequel and a sequel.

They thought this was a fine idea. And lo, the Impossible Contract became Book Two and I was on the hook for writing Book One, and yesterday. My potential publication date was pushed from 2018 to 2019, which is reasonable since the book didn’t exist yet.

But despite a bit of teeth gnashing and grumbling impatience on my part, I am so, so glad things fell the way they did. I got to go back and really dig in and understand the world in book one, and doing so only made book two that much stronger. I also got to lay the groundwork for a lot of the things that happen in book two (and eventually book three), which was decidedly satisfying. And it will probably make me look like a wizard, not gonna lie. Plus, future readers will get two** standalone books that nevertheless play off each other and are stronger for it.

Phew.

So if you like book one and Amastan, the historian turned assassin turned detective who is really tired of this shit, you’ll probably like book two and Thana, the overly ambitious assassin who regrets helping the man she’s supposed to kill and is really tired of all these undead camels.

To continue a tradition I started when I turned in Book One the first time, here’re the

Ending Stats for Book Two

Started writing: June 1, 2014
First Query Sent: April, 2015
Heavily-edited “final” manuscript sent: January 15, 2018
Number of rewrites: Two
Number of rounds of revision/edits: Six
Number of edits just to cut words: Three
Original Wordcount: 130,000
Current Wordcount: 104,000
Number of times I’ve hated this book: Twenty-seven
Number of times I’ve loved it: Thirty-six
Number of mug cakes eaten in celebration: 1
Expected pub date: Late autumn 2019

* Technically, book two isn’t done done, but the next round of revisions won’t require a total rewrite nor take three months. Unless I seriously miscalculated somewhere along the line. Which is possible! But doubtful.

** Book Three is technically also a standalone, but boy will it spoil you on the first two. Not even gonna try not to, there.

Chronicles of Ghadid Trilogy, The Impossible Contract (Book 2), Writing, Writing Tips

How to cut 20,000 Words

K.A. Doore

First – and this is the most important step – write a novel that is 35,000 words too long.

Be told by several people that you really ought to cut some of that. Agonize over every word for a month and manage to cut 15,000 words. Rejoice!

Realize that the novel is still 20,000 words too long. Decide it will be a problem for future you.

Let the novel sit for two years.

Revisit, because finally you really need to trim that beast down. You ask your betas to point out places that should be cut, places where the plot dragged or they got bored. Your editor highlights entire chapters. Realize that those two years actually made it easier for you to see what you can cut. Notice a few patterns:

– You over describe everything.
– You over describe everything.
– You really like to talk about sand.
– You over describe everything.

Begin cutting a word here and there. Then a paragraph. Now, drunk on power, start cutting entire pages. Cackle maniacally. Stay up too late. Drink too much coffee.

Convinced you’ve cut at least 10,000 words, doublecheck your word count.

You’ve only cut 300 words.

Yell into the void that is Twitter. Pour another cup of tea. Start again with a word here, a word there. Repeat.

Repeat.

Repeat.

Congrats! You’ve cut 10,000 words. You still need to trim another 5-10k. You wonder if your editor will notice. You know she will.

Decide it will be a problem for future you.

Chronicles of Ghadid Trilogy, The Impossible Contract (Book 2), Writing

Assassins of Ghadid has been Acquired by Tor

K.A. Doore

cz2ntzzw8aamrvbYes! I can finally shout it from the rooftops! My book, the Impossible Contract* – which is about assassins and camels and magic and queer romance – has been acquired by Tor! Not only that, but they also acquired two more books to make it a solid three! If you don’t believe me or think that I photoshopped the above (which is fair, I’m still not sure if it’s real!) you can find the original Publisher’s Weekly blurb here.

This means that not only do I get to share the world and characters of TIC with you, I also get to go back and write two more books in the same world. TIC will actually be the second book, so right now I’m hard at working writing the first one. The three stories will each feature a different character and stand on their own, but work together as a greater story. I’m so excited to be back in the TIC world!

Here I come, Winter 2019!

 

* As always, titles are apt to change. But I think for consistency’s sake it’ll be easier to keep referring to Book Two as The Impossible Contract, aka TIC.

Chronicles of Ghadid Trilogy, Pre-pub, The Impossible Contract (Book 2), Writing

Exciting News!!!

K.A. Doore

I’ve been sitting on this news for a few weeks because I wanted to make absolutely certain it was Official(TM), but but BUT:

I HAVE AN AGENT!

july-82
Rainbows! Rainbows for everyone!
I am proud to be represented by Kurestin Armada of PS Literary Agency.

I still can’t quite believe those words. Honestly, any time the words “my agent” comes out of my mouth, I have to stop and giggle. Yes, giggle. I’m still a little how the f— did this happen?? but I know the answer to that.

And it goes a little like this:

I started writing The Impossible Contract in June of last year and finished a massive rewrite and subsequent rounds of edits sometime in March. I let it cool, then sent it to my first round of betas in April, and after hearing back from them and tweaking, sent out my first round of queries. The first round were all rejections, so I thoroughly revised my query and tried again.

Suddenly, I was no longer getting form rejections. I received a full request a few weeks in with my new query, then a partial, then another full. I was over the moon, even after a rejection on the partial, because finally I was making progress.

At this point, I started to mentally pack it in. This novel had done its job in getting me that much closer to my goal. Maybe the next one would be it. I still had a few fulls out, but then, what were the chances?

Fast forward to July 18th. I had quit my full-time job the day before because of a hundred different reasons. I was out late playing D&D, and normally I would have come home and gone straight to bed, but instead I idly checked my email. Oh, an email from an agent. Probably another rejection –

I had to read that email three times before the words registered. She wanted to set up a call for the next day. And then I cried. And then I made my wife read it to make sure I understood it correctly. I had. So I cried some more.

Needless to say I didn’t sleep that night.

Needless to say I convinced myself a hundred different ways that this couldn’t be The Call. That this was Something Else Entirely and I shouldn’t get my hopes up. I was dreaming. Hallucinating. Had I even read that email right??

But it was The Call and it happened and, even zombiefied from lack of sleep and way too much caffeine, I managed not to scare her off. She liked my book and she liked my characters and she got the story and then I expressed my gratitude by grilling her. Hah! But she still offered rep.

It was the hardest thing not to accept right then and there because I liked her agency and knew she personally was a good fit, but I still had fulls out to other agents. The responsible thing was to give them a chance.

I withdrew from the agents who only had partials, because I didn’t think they’d have the time, and then nudged the ones with fulls. They bowed out, citing time restraints, and I was secretly relieved because in the intervening days I had already made my decision.

So there you have it! This is only the beginning – an agent by no means guarantees publication, even when they do their best and are as awesome as mine – and I have a lot of work ahead.

What’s next? Well, writing something new because this next step can take a while. Also going around and thanking every single one of my betas profusely, thanking my friends for supporting me, thanking my family for encouraging me, and thanking the public library for providing countless air-conditioned hours of writing time.

Query Stats on TIC for those counting numbers:
Total queries: 30
Rejections: 25
Partial Requests: 3
Full Requests: 4
Offers of Rep: 1
Prior Queried Manuscripts: 2
How I’m feeling:

october-132

Chronicles of Ghadid Trilogy, The Impossible Contract (Book 2), Writing, Writing Tips

On Wordcounts and Madness

K.A. Doore

You know those little aha! moments when a problem you’ve been struggling with suddenly becomes clear? And then you can’t understand why it was such a problem originally?

I received a passing comment on my writing while I was querying TIC that at first frustrated me. I’d mentioned my word count to another writing friend – 130k – and she’d responded with concern.

Isn’t that a bit… high?

What? No – if anything it could be longer. But her comment wiggled in my mind, refusing to leave. I had done my due-diligence and researched word count ranges… once or twice. Back in the day. I recalled that 130k was acceptable. Just look that those fantasy tomes bricking the shelves. Besides, my novel couldn’t be too long. My writing style was to add layers and layers upon the thin skeleton of a first draft – rewriting, tweaking, fleshing out, never concerned about too much.

I googled what the acceptable ranges were not so much to prove her wrong, but to make myself feel better (never a good sign). The results were consistent: again and again and again, 120k was quoted at the limit, and 130k was right out.

There are exceptions, of course. Life wouldn’t be interesting without exceptions. Did I consider TIC an exception? …for a while, yes. (Palm, meet forehead.)

Then another passing comment popped my bubble. My writing was overburdened, said the email. I failed to parse this, handed my first ten pages to my wife, and said: can you show me how this is overburdened?

And my wife, with her phd and her years of tight, frivolous scientific writing honed by the unmerciful hand of her PI, easily removed 200 words. When I reread those pages, nothing was missing. I understood.

We writers get caught up in our words and our worlds. We can see the room our MC is standing in and we’re convinced that the reader must also see it as we do – down to the color of the curtains. Fantasy writers especially are prone to over description. But are those curtains important? Unless the MC’s planning to rip them off the rod and make a dress out of them, no.

I had a moment of complete and absolute DUH. And then I got to work.

Everywhere I saw a word or a phrase or a sentence that wasn’t absolutely necessary. It might help set the mood – but so did the sentence before it. Or it might explain more about the world – but was that necessary to the plot? I asked each word if it served the story and if it didn’t – chop, chop.

From cutting mostly words and phrases (and rephrasing so it’s tighter), I’m down 7k. I didn’t think it would be possible. Now, it’s a game. How much can I cut on this page?

5k words to go!

Chronicles of Ghadid Trilogy, The Impossible Contract (Book 2), Writing

What’s to Come

K.A. Doore

Ever since committing whole-heartedly to being a writer, I’ve taken the time every six months or so to sit down and plan out what I’m going to do next. This keeps me committed, keeps me on schedule, helps me practice hitting deadlines, and reminds me that new projects should always be just around the corner.

As we head into June, I find myself at one of those junctures. It is time – again – to plan out the next few months and to shape where I would like to go. Now that The Impossible Contract is – mostly – done and I have to wait for my second round of queries to go through, I need something else to focus on.

Unfortunately, at least for June, I can’t stray too far. I still have to wait for beta feedback and be ready to make a few last minute edits. When it comes to writing, I’ve tried multitasking on multiple projects and it just doesn’t work.

My solution is actually pretty simple: I won’t stray far. Instead, I’ll play with this short story that has to do with some events that happen off screen in the middle of the book. It’ll be fun and it’ll keep me writing and it shouldn’t be longer than 15k – perfect for a month.

But after that…

Well, July brings Camp NaNoWriMo, which is ideal timing for the start of a new WIP. 30 days and 50k words should give me a pretty good idea of whether or not this next story is workable. Considering I don’t think this story will be longer than 80k – it’s YA, after all – a 50k word draft zero is ideal. I’ve learned that I frequently have to add a lot more to my first draft, which seems to be the opposite of most writers’ processes.

In August, I’ll cool down with some edits and/or research. For TIC, I did draft zero in one big, two month & 80k burst, then I took a month and shored up the research I’d begun while writing. I can see myself doing something similar, even though this new WIP (OIBM) shouldn’t need as much research.

Then September  onwards – rewrite rewrite rewrite. Depending on where I am in the rest of my life (my job might be changing, we might be moving, there might be some other big changes), I’ll set mini goals for those months. I’m not even going to try to set them now, though, since life is quite volatile at the moment.

Ideally, I’ll be done with the first major rewrite by December. If I follow remotely the same trajectory as TIC, then January-February will be the last of my edits before I round up some betas.

But that’s more than six months out, so I’ll reevaluate at that point. As much as I love TIC, I’m really looking forward to starting a new project.

Chronicles of Ghadid Trilogy, The Impossible Contract (Book 2)

On Wearing Black in the Desert

K.A. Doore

One of my beta readers recently asked about the black tents one of the cultures in The Impossible Contract use in the middle of a Sahara-like desert. The question reminded me about the wholly counterintuitive use of black fabric in extreme heat and how, paradoxically, black fabric is actually superior to white in a handful of small, but incredibly important, ways.

Yes, the color black absorbs more heat than white, and white reflects more heat than black. But according to a study done in 1980, Why Do Bedouins Wear Black Robes in Hot Deserts?, there is a lot more going on than that. One very brave volunteer donned both a full white robe and an equivalent black one and stood for 30 minutes facing the sun at midday in the desert. The temperature ranged from a moderate 95F to a more intense 115F. Talk about dedication!

The results were surprising: according to the article, “the amount of heat gained by a Bedouin exposed to the hot desert is the same whether he wears a black or a white robe. The additional heat absorbed by the black robe was lost before it reached the skin.”

But why is that? Another scientific study done prior to the let’s-make-an-undergrad-stand-for-an-extended-period-of-time-in-the-desert experiment measured how various colors and types of bird plumage released or trapped heat. In 1978, Walsberg, Campbell, & King examined what happened when black or white plumage was fluffed up or flattened down when introduced to heat. To make their study even more interesting, they also varied the wind speed.

What they found was that while fluffed, white plumage let the most heat escape when there was no wind, when there was any sort of modest wind, black fluffed plumage fared much better.

The reason for this somewhat surprising discovery is actually at the beginning of this post: white reflects heat the best. That means from the sun, yes, but also from your own body. So all that heat you’re putting off just gets reflected back at you when you wear white. Black absorbs the heat from both the sun and your body, and as long as the fabric is loose enough for wind to get through, that heat radiates outwards instead of inwards and gets swept away.

Convection only sweetens the deal: in drawing heat away from the body, black fabric encourages more air flow. This works equally well for tents. The black then absorbs any heat from the bodies beneath it while creating a nice, gentle breeze. Ideally.

While you might not notice a difference in most of the United States, maybe next time you take a sojourn through the Sahara or Death Valley, you should try wearing black.

Chronicles of Ghadid Trilogy, The Impossible Contract (Book 2), Work In Progress, Writing

WIP Check-in: DONE DONE DONE

K.A. Doore

Is the final draft done yet?: YES

Current page count: 209/209

Shots of whiskey: 1

Current problems with the manuscript: there’s probably something left to fix in the beginning or middle or what have you but it’s small and inconsequential and what I’m trying to say is THIS IS DONE

 

AAAH *FLAILING INTENSIFIES*

It’s done! It’s been almost exactly nine months of working and writing and rewriting and editing and it’s done! Three drafts. Countless words and hours and minutes and days. Final wordcount: 128,121 which is perfect, I envisioned this originally as somewhere between 125-130k and 128 is perfect. I can add some and I can cut some and it will still be the right length.

WHAT NOW?

Well, even though I am calling this my Final Draft, technically this is Final Draft 1 or First Beta Version. What this means is that the story is pretty much set in stone and I have gone through and fixed continuity and typos and grammar and tightened and lengthened and done everything I can to make this the Best Draft Possible before someone else sees it. There are still errors – oh boy how there are still errors – but at this point my nose has been so close to this work for so long that I am mostly blind to them.

That’s where my betas come in. I have a few good friends who I’ll have read this (hot) mess and get back to me on what works, what doesn’t, what makes sense, what doesn’t, etc. Ideally, small tweaks will happen after that and I’ll have the Query Version, which is the draft of the novel that will get sent out to agents. All sorts of things can happen at that point and since I’ve never gotten beyond the initial querying process, I’m not going to speculate on them now.

Over the course of the next two months, my betas will read and get back to me and I will edit and write so. many. query. letters. Seriously, query letters are usually less than 300 words and yet they can take a full month to write.

After two months – or after I’ve queried to exhaustion – I will pick up a new project and run with it. I already have an idea of what I’m going to work on next, but I shan’t allow myself excitement yet. I need that excitement to drive me through the next step of this process, because querying is the hardest thing for me.

BUT ALL THAT IS FOR TOMORROW

TONIGHT – WE DINE IN HELL

– wait, absolutely wrong reference.

TONIGHT – WE CHILL THE FUCK OUT

<3!!!