The Unconquered City (Book 3), Writing

Book 3, Draft 0.5

I started Book Three back in July and got a sizeable chunk done (50k words! woo!), but then edits for 1 & 2 intervened and months passed and now here I am again. Staring into the abyss.

I’ve spent the last two weeks grappling with this book, the plot I have, the words I’ve written. I started and stopped and started again where I’d left off. But I finally realized I needed to just go ahead and start from the very beginning (it’s a very good place to start [now it’s stuck in your head too {you’re welcome}]).

Since I didn’t even reach a Rocks Fall Everyone Dies ending with that draft, I don’t officially get to move on to draft one. But it’s not really a draft zero, since I’ve got a pretty solid handle on what’s gonna happen. So let’s compromise and call it Draft 0.5. Still nowhere close to the finished product, but also not flailing alone in the dark with a blindfold and a basket of chips.

You know the drill by now. I’ll report back here once a week (or month) with progress updates as a way to shame myself into maintaining said progress. ‘Cause I’ve got a deadline to make and a story to wrap up and a whole lot of teeth to gnash. My teeth? Maybe yours. Whose teeth are these anyway? Why am I holding teeth??

 

Here’s current progress on Book Three, working title The Unconquered City, the story of an assassin turned monster hunter who’s gonna keep her city safe no matter the cost. Now with more! monster fights, healing magic, and tragic backstory.

Project: Book Three, Draft 0.5

Deadline: August

Current word count: 1,974 out of 80,000

Body count: 0

Monster count: Baker’s dozen

Sand?: Everywhere.

Chronicles of Ghadid Trilogy, Writing, Writing Tips

How (Not) to Write a Novella

First, write a book. Then, realize there’s a perfect part of said book that could be expanded into a short story.

Sketch out a short outline. Think: this will be easy. Feel: this will be hard.

Finish revising your book. Come back to the short story idea. Realize you kinda maybe need to write it because what happens in it will largely inform your next book. Check your schedule. Find some time to commit wholeheartedly. Two weeks should be enough. It’s only a short story, right?

After one week, google: how long is a short story supposed to be anyway?

After two weeks, google: how long is too long for a short story?

After three weeks, google: how long is a novella?

After four weeks, google: why is everything I touch a novel?

Set it aside unfinished because you have other projects with Actual Deadlines. Hit those deadlines. Celebrate.

Gradually become aware of a general sense of unease. Realize the short story is watching. Waiting.

Metaphorically (and literally, because you don’t want flu do you?) wash your hands. Return to the short story. Accept that the short story is not really a short story by any stretch of the imagination.

Pretend you were writing a novella all along.

Rewrite the not-so-short story from scratch. Despair when it keeps growing longer.

Rewrite the novella with an eye toward trimming some of that verdant verbiage. Growl in frustration when it somehow gains words.

Rewrite again. Keep it within the realm of believability re: word counts and re: novellas.

Finish something that could be called a draft.

Dig a hole in the backyard.

Yes, through the two feet of snow.

Bury the draft. Pat that snow back into place.

Practice saying: I never write novellas. What novella? I was home with my cats at 8.36pm on the 21st of January and you can’t prove a thing. I’ve never seen a novella in my life.

Wait for spring and see what grows.

Life, Pre-pub

Goodbye 2017, Hello 2018

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If you ask any writer (or artist [or human being]), they’ll say that 2017 was a rough year. Full of distractions and worry and dread. Yet despite all of that, we kept on keeping on. I’m not exception – while I wasted countless hours on what-ifs and not sleeping, the work still had to be done. And it got done.

But man, am I exhausted. Hopefully 2018 will be a little less emotionally draining.

But 2017 wasn’t all bad. Personally, it was pretty great. My highlights:

– Wrote the first draft of Book One
– Wrote the second draft of Book One
– Revised Book One
– Sent Book One out to betas
– Revised Book One based on beta feedback
– Sent Book One to my editor
– Revised Book One based on my editor’s feedback
– Turned in Book One (🎉🎉🎉)
– Hacked 20,000 words off of Book Two
– Going line by line, entirely rewrote Book Two
– 2/3rds way through first draft of Book Three

 

And that’s only the writing highlights. Outside of that, I also:

– Broke my personal 5k record
– Turned 31
– Took a baby to Germany and survived
– Attended my first conference (Sirens ’17 wot wot!)
– Dayjobbed the stuffing out of my dayjob
– Learned how to throw a proper punch
– Held back the tides of unwashed dishes and dirty laundry
– Kept a baby alive and helped her evolve into a toddler

 

Writing it out like that makes it seem as if I was riding the waves, but at the time it felt like I was drowning more often than not. 2018 should be better (and easier?) for a number of reasons, not the least of which we’ll have a toddler and not an infant who refuses to sleep more than 45min at a time (oh god never again).

2018 is actually shaping up to be pretty fun/exciting for me, personally. And maybe for you, at least come the end of the year. So what have I got going in 2018?

– Polish up Book Two
– See/reveal the cover for Book One (!!)
– Write, rewrite, revise, edit, & polish Book Three
– Hit up Tucson Festival of Books
– Sirens 2018 (!!)
– Bid farewell to my lovely desert assassins and start a new project
– Keep a small human alive

 

Yeah. Okay. No small task. But if I survived 2017 and all it entailed, I can certainly survive – even thrive in? – 2018.

May you let 2017 go and embrace the new year with hope and light. ❤

Chronicles of Ghadid Trilogy, The Impossible Contract (Book 2), Writing, Writing Tips

How to cut 20,000 Words

First – and this is the most important step – write a novel that is 35,000 words too long.

Be told by several people that you really ought to cut some of that. Agonize over every word for a month and manage to cut 15,000 words. Rejoice!

Realize that the novel is still 20,000 words too long. Decide it will be a problem for future you.

Let the novel sit for two years.

Revisit, because finally you really need to trim that beast down. You ask your betas to point out places that should be cut, places where the plot dragged or they got bored. Your editor highlights entire chapters. Realize that those two years actually made it easier for you to see what you can cut. Notice a few patterns:

– You over describe everything.
– You over describe everything.
– You really like to talk about sand.
– You over describe everything.

Begin cutting a word here and there. Then a paragraph. Now, drunk on power, start cutting entire pages. Cackle maniacally. Stay up too late. Drink too much coffee.

Convinced you’ve cut at least 10,000 words, doublecheck your word count.

You’ve only cut 300 words.

Yell into the void that is Twitter. Pour another cup of tea. Start again with a word here, a word there. Repeat.

Repeat.

Repeat.

Congrats! You’ve cut 10,000 words. You still need to trim another 5-10k. You wonder if your editor will notice. You know she will.

Decide it will be a problem for future you.

Chronicles of Ghadid Trilogy, The Perfect Assassin (Book 1), Writing

Ending Stats for Book One

Started writing: November 1, 2016
Manuscript sent: June 27, 2017
Total days: 239
I.E.: 7.9 months
Percentage of days spent writing: 94%
Estimated days spent writing: 224
Average hours/day: 2.4
Average hours of sleep/day: hahahaha
Number of drafts: 4
Word count of draft one (aka draft zero): 56,649
Word count of draft two (aka draft one): 63,686
Word count of draft three (aka beta draft): 84,638
Word count of draft four (aka final draft aka finished MS): 95,069
Number of times I knew I wouldn’t get this done on time: 220
Number of times I knew I would: 4
Number of times it mattered: 0
Number of cupcakes eaten in celebration: 1
Number of days I’m taking off between books: 0

Chronicles of Ghadid Trilogy, The Perfect Assassin (Book 1), Writing

When is it “finished?”

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As of Friday, Book One is done. And yet it’s not really “finished,” per se. It’s sitting quietly on my harddrive, resting and dreaming, before I slog through it for one last read-through, then it’ll be off to my editor who may (or may not) tear it apart and declare it an abomination. Either way, there will be more edits.

Which made me wonder why I felt like I could label it as it is, done. A big part of it is definitely a feeling, a big sigh of relief, a rush of pride. Yet I have been here before with books I’ve written, only to turn around and completely rewrite them 2 months or 2 years down the line.

So what does done mean?

For me, at least now, at least in this moment and for this project, it appears to mean that it’s at a point where I’m comfortable sharing without caveats. When I gave it to my betas at the end of May, I also gave them a ton of caveats. I was as far as I could get on my own at the time, but I also knew there were still problems, could feel them even if I couldn’t quite put my finger on them. So I told them that, told them to expect that it wouldn’t be perfect, and that it definitely had problems, and to please help me find what those problems were.

Now… it still has problems. It will never be perfect. But I feel like I can hand it off without caveats. That it can stand on its own. Within all those words is a complete story with a full character arc and logical consequences and big stakes, and minimal, if any, plot holes.

Again, there might still be things I’ve missed, things I’m blind to. I’m going to read through it one last time and then other, fresher eyes will have a go at it. But for now, Book One is as done as I can make it.

Chronicles of Ghadid Trilogy, The Perfect Assassin (Book 1), Work In Progress, Writing

#amediting – Make it Bleed

The best decision I’ve made so far with this round of edits – aside from, you know, doing them – was to turn on Track Changes. Now whenever I feel like I’m treading water and getting nowhere, all I have to do is flip to “show all markup” and see just how much I’ve done.

Aaah.

Of course, all that red doesn’t say anything about the quality of the edits, but it sure is pretty to look at.

T minus 10 days and counting and I’m finally starting to feel like I’m going to make it, and not just at the last second. 60-ish pages left to edit, 2-ish scenes let to (re)write. I’m starting to get it into my head that I’ll have time for another read through. But let’s not get too cocky – something is bound to happen and eat up all my soft deadline cushioning.

But I’m already starting to plan what I’m gonna do when this is off my desk. Sleep. Read. Buy a chocolate cake. Eat it all. And then start writing the next book. Which I am SUPER excite about, FYI.

In the meantime, I’ve still got 10 days, so here’s current progress on Book One, working title Redacted, the story of a historian turned assassin turned detective who’s more than just a little tired of this shit. Now with more! raucous gambling, mythology tweaking, and polite civic discourse.

Chapters: 25 chapters out of 33 edited

Current word count: 94,090 out of 90,000

Fun Google searches this week: “Does a camel chew cud?”

Chronicles of Ghadid Trilogy, The Perfect Assassin (Book 1), The Unconquered City (Book 3), Work In Progress, Writing

Stop! – It’s Beta Time!

Betas, man. What would we do without them? They’re magical creatures, willing to take the time out of their days, weeks, (months?), to glance over an unpolished manuscript and not only give feedback, but give supporting details and thoughts and comments and maybe – hopefully – a few ideas on what they think might help.

When we’ve been elbows-deep in the entrails of our book for months (years) on end, a beta helps us step back and see the body instead of the gore. Or, perhaps, a better metaphor: when we’ve been behind the scenes, constructing the scenery for our play, all we can see is the bare wood, the struts, the bad paint jobs. Our betas help us see the scenery from the audience side, where it’s clearly a quiet night scene in Paris or a warm rooftop in Peru.

Thing is, we writers spend a long time trying to capture what’s in our heads in words that will somehow, perfectly and exquisitely, recreate those same scenes and moments in the reader’s head. This is, of course, impossible. Until we become telepaths or create the technology for brain-to-brain transfers, that translation will be imperfect. Some things will always be lost. And we, the writers, will always be acutely aware of those gaps and errors.

Our betas, however, cannot see into our heads. They can only see what every reader will see in the end: what’s on the page. So – thank you, betas. Thank you on behalf of all writers, but also thank you on behalf of just me. At a time when I was 100% frustrated and done with my WIP not lining up with what was in my head, you helped me to see what was actually on the page. And also fix what was there. Without betas, I’d be running endless editing loops for the next 5, 10, 15 months. Instead, now I have a plan and a way forward, an end in sight.

That said, where have I been the last few weeks? I usually update on Tuesday because that’s when I have the most time, but these past Tuesdays I’ve been feeling the crunch. First I was finishing up one last round of edits so that I could get Book One out to betas, then I was beginning the next round of edits courtesy of those amazing betas. Now I’m 100 pages into the last heavy edit / mad attempts at polishing with my deadline fast approaching. Today I added 2600 new words and an entire new chapter that will need to be polished once they’ve had some time to sit and ferment. I have 160(ish) pages left to go, two more new scenes to write, and seventeen days. I got this.

…right?

Without further ado, here’s current progress on Book One, working title Redacted, the story of a historian turned assassin turned detective who’s more than just a little tired of this shit. Now with more! tense talks over tea, avuncular uncles, and exciting! research! scenes!

Chapters: 14 chapters out of 33 edited

Current word count: 90002 out of 90,000

Fun Google searches this week: What the parts of a screwdriver are called

Chronicles of Ghadid Trilogy, The Perfect Assassin (Book 1), Writing

The Final Countdown

I’ve hit the final stretch which means I just want to be done already. If there were writing goblins, I would leave out whatever fruit or knick-knacks they desired to finish this for me.

I can see the end in sight, but I still have to get there. In the meantime, I’ve reached the previous Rocks Fall Everyone Dies point I’d left myself at before, so it’s a bit slower going. These are all new words, so I’ll have to go back and polish them. Just have to remind myself that I will polish them and that it’s okay for the first round to be crap.

Now more than ever I’ve got to keep my head down and focus on the words.

Without further ado, here’s current progress on Book One, working title Redacted, the story of a historian turned assassin turned detective who’s more than just a little tired of this shit. Now with more! violent storms, knife fights, and angst. So much angst.

Chapters: 31 chapters out of 32 edited

Current word count: 80035 out of 90,000

How done am I?: So done.

Chronicles of Ghadid Trilogy, The Perfect Assassin (Book 1), Work In Progress, Writing, Writing Tips

Accountability and Stars

The way I’ve held myself accountable over the years has shifted a bit. In the very beginning, there was NaNoWriMo and its daily word count goals coupled with an awesome little graph that rose slowly, encouragingly, over the course of a month. Outside of November, I tried to replicate that beautiful graph by plunking my words into a spreadsheet and that worked for a while.

And then, almost overnight, it stopped working. I couldn’t keep up with the minimal effort it took to use the spreadsheet. And when days (or weeks) of not writing struck, it became too easy to just… not. I tried starting a new spreadsheet, but inevitably I started too many new spreadsheets and progress stalled and I stopped completely.

After that I floundered a bit. Wrote a little here, a little there. But without accountability, it was difficult to hit my self-imposed deadlines.

Then I discovered calendars. They were perfect – something I could mark at the end of the day if I’d met my goal, and each month was a built-in fresh start. Plus, they served the purpose of, well, telling you what day it was, so I always had one around anyway.

I started by just crossing off days that I’d met my goal. Then I tried writing word count goals on the days and crossing them off as I hit them. This was great for days I inevitably fell behind and also days that I got ahead. And no matter how far behind or ahead I got, I’d recalculate my goals at the start of the next month and better manage my expectations.

Of course, with editing, word count isn’t always a reliable indicator of progress. Sometimes you rewrite an entire chapter, sometimes you add in a few paragraphs, and sometimes you just edit heavily. New words written doesn’t tell you much, but chapters edited does.

So for this round of editing, I decided to mark off whenever I finished a chapter. And I decided to celebrate that with a gold star sticker. Because of course I have gold stars. Doesn’t everyone?

I also tried to project out my goals, but even adjusting for May I’m still wildly off. But that’s okay because lookit all those stars! (The other colors are for exercise-related endeavors. Those are a little… less exciting.)

And here’s the complete month of April, for comparison:

Note that I started editing this draft on April 1st, so this shows my whole editing process so far. And no, I honestly don’t remember what happened on the 8th, but it must have been pretty exciting for all those stars.

Not every writer needs daily accountability, but as someone in the slow-but-steady camp of writing, it really has helped me keep up momentum and avoid some panicking. Note – “some,” not all, panicking.

As far as the actual editing goes, I have reached that point where I kind of want my betas to read it, instead of simply dreading them reading it. I’m still in the Not Sure If This Is One Hot Mess Or Not stage (which includes such great hits as My Editor Will Regret Me and Oh God Everyone’s Made a Big Mistake and How Did I Con Anyone Into Thinking I Could Write??) and likely will stay there until I can finally take a step back and look at the proverbial forest.

Without further ado, here’s current progress on Book One, working title Redacted, the story of a historian turned assassin turned detective who’s more than just a little tired of this shit. Now with more! thunderbolts and lightning (very very frightening [me]), family feuds, and questionable intents.

Chapters: 27 chapters out of 32 (or 33) edited

Current word count: 72,075 out of 90,000

Coffee’d netbooks: One 😦

Average Hours of Sleep a Night 5-6